STUDIO pics
Beginning stages of ' Rescue'. 5/30/09
RESCUE
Oil
62" x 79"
2009
UNLESS THE SEED FALLS...
Oil on Canvas
82" x 138"
Work in progress 4/16/09 --- Abandon work - face to the wall.
RONIN
Oil on Canvas
65.5" x 52"
2009
Early stages of work 3/09
STROLL 2009
ENDUED Finally finished - one year in the making.
RIDE - painting close to completion.
3/17/09 Small study based on the school of Cynical Realism.
Evolving work in the beginning stages 2009
New Work in progress "Divaricated" 48" x 60" 3/5/09
Fire Walker 2008
HORSES - Studio angle
New work in process December 2008
The painting FIRE WALKER, part of the Power Series, in middle stages 11/08
Smaller works
COMITATUS Power Series - in final stages.
"Comitatus, as described in the Roman historian Tacitus's treatise Germania (98.AD), is the bond existing between a Germanic warrior and his Lord, ensuring that neither leaves the field of battle before the other. The translation is as follows:
- "Moreover, to survive the leader and retreat from the battlefield is a lifelong disgrace and infamy" Wikipedia "
BODY DYSMORPHIA ON HOLLOWAY DRIVE
Painting revisited - currently working on back ground structure detail.
"Body dysmorphic disorder (BDD) is a mental disorder where an individual is excessively concerned and preoccupied with an imagined or minor defect in their appearance. They may complain of several specific features or a single feature of their appearance, or a vague feature or general appearance." Wikepedia
This painting in process is centered on the morbid walk that an individual takes after being victimized. To compound the main subject of the composition, BDD is the circular vehicle that creates never ending situations for such abuse. When the body dream world of Hollywood is reduced, we find this image lurking near us all, either in us, or walking right next to us.
Dunce Cap's evolution -This is a comic appraisal of the economic lack and destitute status of America.
November 2008 partial studio image
Final stages of "Johny's last exit", minor details followed.
Detail now removed in final
SCOTOMATA in middle progress. The central image is based on Native American spiritualism. This work leaps from the painting foundations developed by the Pacific North West Masters, such as Guy Anderson.
The initial composition contained no such sign post of historic interpretation, it is in the development of the work that unconscious understandings and respects unfolded onto the painted surface. A native to this area, I find in this work true absorption of the region and its Art syntax.
Detail and beginning point of work.
KINTER - in final stages
Dig for this image, grind for this image, destroy for the image - the structure was unbearable to execute. The process to create this work and the symbolic meaning contained is the same message: The Will to survive and the Will to conquer is stronger than the blows that seek to destroy us.
Small study
A ROAD TO AMISS
March 2008 - Painting in progress with development in side areas. Values established with hue and some compositional elements finding alteration.
Painting is unfinished.
Loft view
ejka Soma in development.
The structure of an object is based upon the perceived components. A complete understanding of structure is based on the ability to contain knowledge (as in facts) and with this organize, filter, and order the knowledge to have accurate perception. The object is not like the perceiver, the object has its own properties as does the perceiver, and the two shall never twain. However, when trying to capture some coherent function in the structure as in an image, we find things based on limits. Theses limits in capacity, time, and ability have knowledge benefits: mainly the ability to stream coherent ideas and perceptions together, the ability to narrate ideas from observation, frail as it is. This capture of an image helps to limit the analysis stream - our notion of time does this for us.
ESPLANADA FEEDER in middle stages. 2008
Vein Paintings 2006
